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Essay by Jean-Charles Vergne
Kehinde Wiley’s acclaimed World Stage series inserts into the language of old master portraiture the very ethnicities and ethnic iconography that western art has most excluded from it
people watching
Illinois (January 30 – April 27
Works are hung floor to ceiling
Kehinde Wiley: The Prelude Essay by Jean-Charles VergneText by Christine Riding, Sarah Thomas, Zo Whitley. This volume accompanies the exhibition Kehinde Wiley: The Prelude at the National Gallery, London, December 10, 2021 April 18, 2022. The American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits that position people of colour in the traditional settings of old master paintings, raising questions about power, privilege and identity, and highlighting the absence or
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