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It's well acted, and effectively put together, but there is an insurmountable problem: gloomy, grave-robbing, body-chopping old Ed is, in the end, just a little bit of a bore." [12] Kevin Thomas of the Los Angeles Times afforded the film moderate praise, commending the performances, the atmosphere, and the historical accuracy, but went on to write, " Ed Gein resists cheap humor in favor of moments that are inherently darkly comic, and tries for a seriousness of purpose, yet is at times awkward and under-inspired, creating a question as to whether so gloomy and repugnant a tale was worth telling simply for its own sake." [13] Neil Smith of the BBC called the film "gross and repellent" and awarded it a score of 2/5, writing, "Parello's stated intention is to explore the psychology of his twisted protagonist, but the result has all the hallmarks of a low-budget exploitationer, right down to its B movie leads Steve Railsback and Carrie Snodgress
Let blend until creamy and fully combined
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"Queer Love's Kiss: LBGTQ Representation In Modern Cartoons"
